Old Stitches
May. 31st, 2012 10:34 amSo even after switching out the hook-and-eyes for tie closures, his good Renfaire shirt (the linen one, with heavily-embroidered blackwork cuffs and collar) no longer fits Wonderful Husband. Which is a mystery to both of us, as (1) it fit when I made it, (2) his added weight since then isn't in the areas it doesn't fit, and (3) linen doesn't shrink that much in the wash! Which, I guess, means that I should try it on and see what adjustments would be needed to make it fit me.
This also means that, after Costume College, I get to buy more linen, re-measure him, and make him a new shirt. With new collars and cuffs! And since by the end of it I got sick of the embroidery pattern for the old shirt, I want to find a new period pattern to play with. (I used the central/major motif from the cuffs of the Holbein portrait of Jane Seymour; after a while I took to calling it the "crosses and tombstones" pattern.)
After consulting my (two) blackwork books, I came across the Jane Bostock sampler (third one pictured; click on it for a larger view) which has a couple patterns that seem suitably intricate without being overwhelmingly feminine... now I just have to find large enough views of the patterns that interest me, and chart them.
This also means that, after Costume College, I get to buy more linen, re-measure him, and make him a new shirt. With new collars and cuffs! And since by the end of it I got sick of the embroidery pattern for the old shirt, I want to find a new period pattern to play with. (I used the central/major motif from the cuffs of the Holbein portrait of Jane Seymour; after a while I took to calling it the "crosses and tombstones" pattern.)
After consulting my (two) blackwork books, I came across the Jane Bostock sampler (third one pictured; click on it for a larger view) which has a couple patterns that seem suitably intricate without being overwhelmingly feminine... now I just have to find large enough views of the patterns that interest me, and chart them.